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THE
MIX FX: $99/day*
* Includes
a Lexicon 960L and a T.C. M-6000 FX Processor.
(1) Lexicon 960L Digital FX Processor & LARC Controller
(2) Lexicon PCM-80 Digital FX Processor
(3) Lexicon PCM-42 Analog Digital Delays
(1) Eventide Orville FX Processor Harmonizer & EveNet
Remote
(1) TC M-6000 Digital FX Processor & Icon Remote
(2) TC 2290 Digital Delay/Chorus
(1)
TC M-2000 Digital FX Processor
(1) Tube Tech SMC-2B
Multi Band Stereo Limiter
(1) SSL (Solid State Logic) "Logic FX" 384 Stereo
Buss Compressor
(1)
Apogee PSX 100SE 96K Stereo A/D-D/A Converter
(1)
API Lunchbox containing (2) 550B's and (2) API 560B Graphics
(1)
Digidesign 16 Channel "Digital 192" (Rack is Pro Tools HD
ready)
The "MIX FX Rack" includes some of the most sought
after processors ever built.
Found in the
most renown of professional recording studios throughout
the world,
the Lexicon
960L Digital Reverb is the finest of ambience room simulators.
The 960L includes
all of the classic presets of the vintage Lexicon 480L
and more.
With sampling
rates up to 96K, the 960L can be used as dual 5.1
surround machines,
or it can
be configured as four separate stereo boxes- AES/EBU In/Out
included.
For FAT analog
delays, nothing can touch the Classic Sound of the original
Lexicon
PCM-42's.
All of our Mix Racks have three of them.
There's a pair of dual PCM-80's for
additional Lexicon FX processing
of Flanging, Chorus, Multi-Tap Delays and Reverbs.
We've Added
a T.C. M-6000 to the Mix FX; with Digital
EQ and Compression, Room
Simulation,
Mastering... FX's that are not found anywhere else. If you
need ultra
clean delays
with dynamic input control (the delay only repeats as long
as there is an
input signal-
or only occurs when input stops), then strap on the dual
TC 2290's on your
guitars or
vocals- How good can analog be.... this is it.
For Multi-FX
and Pitch, the Eventide Orville (with an EveNet remote)
is the way to go.
The Orville
is a powerhouse 96K dual stereo machine with both analog
& digital
inputs.
Eventide Harmonizers are used on everything from
vocals, guitars,
pianos and synths.
Chain multiple Orville FX's from one machine
into the other and output AES/EBU...
We've included
a classic Solid State Logic stereo buss compressor-
The Logic
FX 384.
If your looking for the SSL radio crunch- then this
is it! Need total control?
Have you tried
the Tube Tech SMC2B Multi-Band Limiter?
You'll love this on guitars.
You can set
each range (low, mids and highs) to completely different
amounts of
compression-
Pump the mids without affecting the top end. Limit the bottom
without
affecting
any other range. Each section has its own output gain control
to the main buss.
For EQ,
you can plug into an API Lunch-Box containing four devices; Two API 550B Eq's
and two API 560B Ten
Band Graphics... great for insert patching- or shaping your
drums
or guitars.
Also included
is a 16 channel Digidesign "Digital 192 Converter"
that you can easily add
to your existing
Pro Tools System- thus bringing in the "Hot-Boxes" completely
digital.
For analog
input to the digital domain, there is a Apogee PSX-100SE.
The PSX-100 does
96K and adds
an additional stereo inputs (digital and analog) to facilitate
a total of 18
digital I/O.
The PSX-100 also converts directly to 16
Bit 44.1 via AES for CD Mastering.
Classic FAT Plugs-
Compliments of Rack Attack.
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AIM4RackAttack