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THE MIX FX: $150/day*
* Includes a Lexicon 960L and a T.C. M-6000 FX Processor !
For the $150/day price (a four
day minimum rental is
required).
(1) Lexicon 960L Digital FX Processor & LARC Controller
(2) Lexicon PCM-80 Digital FX Processor
(3) Lexicon PCM-42 Analog Digital Delays
(1) Eventide Orville FX Processor Harmonizer & EveNet Remote
(1) TC M-6000 Digital FX Processor & Icon Remote
(2) TC 2290 Digital Delay/Chorus
(1) TC M-2000 Digital FX Processor
(1) Tube Tech SMC-2B Multi Band Stereo Limiter
(1) SSL (Solid State Logic) "Logic FX" 384 Stereo Buss Compressor
(1) Apogee PSX 100SE 96K Stereo A/D-D/A Converter
(1) API Lunchbox containing (2) 550B's and (2) API 560B Graphics
(1) Digidesign 16 Channel "Digital 192" (Rack is Pro Tools HD ready)
The "MIX FX Rack" includes some of the most sought after processors ever built.
Found in the most renown of professional recording studios throughout the world,
the Lexicon 960L Digital Reverb is the finest of ambience room simulators.
The 960L includes all of the classic presets of the vintage Lexicon 480L and more.
With sampling rates up to 96K, the 960L can be used as dual 5.1 surround machines,
or it can be configured as four separate stereo boxes- AES/EBU In/Out included.
For FAT analog delays, nothing can touch the Classic Sound of the original Lexicon
PCM-42's. All of our Mix Racks have three of them. There's a pair of dual PCM-80's for
additional Lexicon FX processing of Flanging, Chorus, Multi-Tap Delays and Reverbs.
We've Added a T.C. M-6000 to the Mix FX; with Digital EQ and Compression, Room
Simulation, Mastering... FX's that are not found anywhere else. If you need ultra
clean delays with dynamic input control (the delay only repeats as long as there is an
input signal- or only occurs when input stops), then strap on the dual TC 2290's on your
guitars or vocals- How good can analog be.... this is it.
For Multi-FX and Pitch, the Eventide Orville (with an EveNet remote) is the way to go.
The Orville is a powerhouse 96K dual stereo machine with both analog & digital inputs.
Eventide Harmonizers are used on everything from vocals, guitars, pianos and synths.
Chain multiple Orville FX's from one machine into the other and output AES/EBU...
We've included a classic Solid State Logic stereo buss compressor- The Logic
FX 384. If your looking for the SSL radio crunch- then this is it! Need total control?
Have you tried the Tube Tech SMC2B Multi-Band Limiter? You'll love this on guitars.
You can set each range (low, mids and highs) to completely different amounts of
compression- Pump the mids without affecting the top end. Limit the bottom without
affecting any other range. Each section has its own output gain control to the main buss.
For EQ, there's an API Lunch-Box containing four devices; Two API 550B Eq's and two
API 560B Ten Band Graphics... great for insert patching- or shaping your drums or guitars.
Also included is a 16 channel Digidesign "Digital 192 Converter" that you can easily add
to your existing Pro Tools System- thus bringing in the "Hot-Boxes" completely digital.
For analog input to the digital domain, there is a Apogee PSX-100SE. The PSX-100 does
96K and adds an additional stereo inputs (digital and analog) to facilitate a total of 18
digital I/O. The PSX-100 also converts directly to 16 Bit 44.1 via AES for CD Mastering.
Classic FAT Plugs- Compliments of Rack Attack.
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